Housed in a rugged steel chassis, the MG10X CV can accommodate up to 10 inputs and offers a balanced stereo output. Featuring D-Pre discrete Class A microphone preamplifiers for pristine sound, it includes an Aux bus for the built-in SPX effect with 24 presets and 2 channels of single knob compression.

The MG10X can accept XLR, 1/4" Phone and RCA type pin jack inputs, and offers XLR and Phone outputs. The MG10X offers rotary controls instead of faders, reducing the footprint for discrete placement onstage or anywhere space is a premium.

A footswitch input allows hands free effect muting.


D-PRE (Discrete Class-A Mic Preamps)
This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

High Quality Sound Op-amp
The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

Switchable Phantom Power & PAD Switch
With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.

Our mixer. Your sound.
When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha's high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

1-knob Compressors
Compression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.

EQ and High-pass Filters
There's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.

AUX / Effect Sends / Group
MG Series mixers feature up to four AUX sends for expanding your sound reinforcement or recording setup, allowing you to incorporate additional effects, output to external recording devices, or feed to an monitoring system. Master send controls are also provided. The MG06 / 06X and MG10 / 10XU have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

A variety of input / output connectors
All models feature high-quality Neutrik balanced XLR connectors on mono microphone/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for 10ch model) The function of another two stereo channel vary depending on model:

LED level metering
Easy-to-read LED level metering allows output levels to be monitored with precision.

Built-in SPX Digital Effects
For musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X / XU models features Yamaha's acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on / off control

MPN: MG10X CV
UPC: 889025142571

• Frequency response input to STEREO OUT: +0.5dB/-1.5dB (20Hz to 48kHz), refer to the nominal output level @ 1kHz, GAIN knob set to min
  
• Total Harmonic Distortion (THD+N) input to STEREO OUT: 0.02 % @ +14dBu (20Hz to 20kHz), GAIN knob set to min
  
• Crosstalk (1kHz): -78dB
  
• Hum and Noise (20Hz to 20kHz)
  
• Equivalent Input Noise: Crosstalk (1kHz)
  
• Residual Input Noise: -102dBu (STEREO OUT, STEREO master knob set to min)
  
• Input Channels Mono [MIC/LINE]: 4
  Mono/Stereo [MIC/LINE]: 0
  Stereo [LINE]: 3
  
• Output Channels STEREO OUT: 2
  MONITOR OUT: 1
  PHONES: 1
  AUX SEND: 1
  GROUP OUT: 0
  
• Bus STEREO: 1
  GROUP: 0
  AUX SEND: 1 (incl. FX)
  
• Input Channel Function Pad (mono): 26dB
  HPF (mono, mono/stereo): 80Hz, 12dB/oct (mono)
  COMP (Mono)
  
• 1-knob compressor (mono) (Gain/Threshold/Ratio) threshold: +22dBu to -8dBu
  Ratio: 1:1 to 4:1
  Output level: 0dB to 7dB
  Attack time: Approx. 25 msec
  Release time: Approx. 300 msec
  
• EQ High: Gain: +15dB/-15dB, frequency: 10kHz shelving
  Mid: Gain: +15dB/-15dB, frequency: mono 250Hz–5kHz peaking, stereo 2.5kHz peaking
  Low: Gain: +15dB/-15dB, frequency: 100Hz shelving
  
• Peak LED (mono)
  
• LED turns on when post-EQ signal reaches 3dB below clipping
  
• Phantom power voltage: +48V
  Power requirements: PA-10 power adapter (included)
  Power consumption: 22.9W
  
• Pre-monitor level meter: 2 x 7 segment LED meter [PEAK, +10, +6, 0, -6, -10, -20dB]
  
• SPX algorithm: 24 programs
  
• Dimensions (WxHxD): 9.6" x 2.8" x 11.6"